At no time until near the film's end do we, from the interior of the Overlook, directly observe characters exiting or entering the lodge, and never from the lobby. One of course wants a meaning for this "sha" and looks for one. JACK: Susie, how do you do? It's important, sometimes, what we don't see in a Kubrick film, and this is one of those times.
Fig. Many dark-haired parents have children with light hair, but the audience may have worked for a minute to accept Wendy as light-haired Danny's mother, as they look so dissimilar. The Shining (1980) is creative director Stanley Kubrick's intense, epic, gothic horror film and haunted house masterpiece - a beautiful, stylish work that distanced itself from the blood-letting and gore of most modern films in the horror genre. In the first tricycle scene the red floors of the hallway may be a subliminal foresight of the river of blood, which Wendy sees in the films climax. Two of these pairs are heard wishing goodbye to Mr Ullman. Certainly, if one takes a look around the web at the Ahwahnee, one easily understands why Kubrick would have chosen the striking hotel in Yosemite as an influence for the lodge's interior. Whatever the book. Yes! (9:29)
How awesome is this place! 73 MCU Danny. Four people are seated in an area on the screen right side of the main door. Kubrick raises that question for the audience and leaves it to linger. What is more, the audience is represented as unconscious of their thirst being connected to the heat being jacked up during the desert scenes. In the far background, between them, we see an older man standing behind the model of the maze, looking over it--the same man who had entered the hall by the elevators as Jack, just after glancing toward the maze, trod upon the spot where he will later kill Dick and we heard the first "sha". (4:10 crossfade begins, full fade in by 4:12. He is unsettled, and it has taken him a moment to gather himself and think how to respond. With the move to the Overlook, Danny is removed from his more comforting bedroom, with its playful figures, to the world of the lodge. More books than SparkNotes. This wallpaper appears at no other point in the film. Wendy's appearance doesn't strike as eccentric or "mousy" today (or to me it doesn't) but back in 1980 her style here would have been perceived as somewhat peculiar, the latitude allowed for divergence from a certain conception of attractiveness not being exactly broad. The climax of the film is Danny's escape from the snowy maze, where he misleads his father into getting lost. 10 Tracking shot of Jack through the lobby. WENDY: Well, how come you don't want to go? Off to the right he heard it, and his ears, expert in such matters could not be mistaken. Relieved, Wendy sighs and smiles. Just a step beyond the circle, Jack's glance moves up to the stairs on the right, briefly meeting that of a hotel employee who is coming down the steps. It makes the audience share Danny's psychic traumas of the hotel. A shot of Danny's mouth wide open in horror. That's what many people will be distracted by. As Kubrick cut to this shot, a blond woman in white crosses from right to left behind Jack and continues across the lobby. ", 36 MCU of Jack. (11:14)
Leon Vitali, Kubricks personal assistant during filming, has since denied these theories. We see on the sill The House of Brede by Rumer Godden, which concerns a professional woman, Philippa, who at the age of 42 leaves secular life and becomes a nun in a contemplative order. Snoopy, though a dog, could understand and translate Woodstock's speech which Wikipedia informs was rendered in the cartoon as indecipherable "chicken scratch" and with symbols such as Z's and question marks etc.--just as various symbols communicate meaning in the film.But, of course, Snoopy also could not "talk" and his thoughts were communicated via thought balloons and pantomime. One must wonder if Kubrick was aware that Stephen King, at the age of 4, had witnessed a friend being struck and killed by a train, was mute and unresponsive for at least a day because of it, professes no memory of the incident, but it's been proposed this event may have helped inspire his predilection for writing horror. It leaps out of her arms and pursues the motorized cart that carries the suitcase holding the money from Johnny's robbery of the racetrack. The Torrance's apartment in Boulder is standard fare for the era. Kubrick's portrayal of Wendy departs from King's book, which imagined Wendy as an attractive, sensual, blond, King's later movie casting Rebecca de Mornay, who fulfilled the type. Jack informs Wendy he got the job and has a lot to do so won't be home before 9 or 10. To protect Lloyd, who was 5 years old when he made the film, Kubrick told him that they were filming a drama. The right photo is even more mysterious, perhaps showing the hedge maze with snow in the foreground, and a peculiar, vague silhouette overlaying that seems to only take on humanoid proportions through the eye looking for such, and yet also lends itself to such. The film's major conflict revolves around Danny's struggle to cope with his father's gradual descent into madness and/or possession. WENDY (indicating a seat): Please. -Mr. Ullman jokes that he wouldn't want to enter the hedge maze unless he had an hour to figure out how to escape from it. In spite of being an enjoyable horror film that evokes myths and fables, The Shining does not present a rigorously canonical dramatic framework. The Shining (1977 Novel) study guide contains a biography of Stephen King, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
The Awakening of Jacob
The Awakening of Jacob and those union suits. Not things that anyone can notice, but things that people who shine can see.
The background photographs of what seem to be past business meetings at the hotel, on the wall behind Jack, are replaced with brightly colored stickers on what we assume to be Danny's bedroom door as the camera slowly tracks in to an open door opposite through which we can see Danny before a bathroom sink, he standing on a footstool. Curtains decorated with Snoopy and friends hang on Danny's window. Now, looking at the Timberline lodge in Oregon, at its entrance it shows a compass but with directional notation, whereas the compass points at the entrance of the Overlook don't show this. In Stuart's interview, he has the uncomfortable business of relating the story of the murder, while in the interview with the doctor it is Wendy who will relate an uncomfortable story in response to the doctor's questions. Our study is intended as just a first step towards an all-encompassing dramaturgical analysis of The Shining. The place was first called Luz, so its original name was supplanted.
31 - Wendy in the living room speaking to Jack on the telephone, the television running in the background. 14 MCU of Wendy. DANNY: Talking to Tony.
The Colorado Lounge section and the halls associated with Room 237 only use forced air heat. JACK: Well, I'm looking for a change.
She has been speaker in film studies conferences in Italian universities. GOT LITERARY FICTION
JACK: Well, huh, that is quite a story. A child having to navigate a world built for adults, Danny stands on a stool before the bathroom sink that is built for adult use. There is no Room 237 in the hotel, so that number was chosen. The allusion is intended to intensify the feeling of isolation that the Torrances have once they are living at the hotel and cut off from the rest of the world. He may have even viewed the Overlook as a mirror or double of sorts. To Danny's side on the table there is a black object later revealed to be a toy gun in the scene in which he explores the maze with Wendy (the gun is apparently from the Star Trek Phaser II Target Game). There seems a hint of it when Stuart is first talking about the tragedy during the winter in 1970, though I'm uncertain of that.
The velociraptor kitchen scene has multiple references to "The Shining." The end credits contain a reference to Spielberg's 1977 sci-fi film, "Close Encounters of the Third Kind." . (5:32)
Another example of playful ball throwing as a foreshadow of axe swinging is that Danny and Wendy are shown throwing snowballs at each other outside. "Now, hold your eyes still so I can see, " a female voice says in the black--and it's a very normal, stock request but enigmatic when one considers that much of the film has to do with Danny's second sight. JACK: I don't believe they did. (5:50)
Kubrick does not do this only in The Shining. The viewer perhaps believes Danny is seeing the elevator, the girls, and then himself screaming. The decoration at the height of the lobby's columns in The Shining is done in a Z shape. He needed some help. It's positioned to be noticed, to not disappear on the counter. (5:43)
A reader has also written to let me know that there seems to be a "sha" sound when Dick is driving through the snowstorm to get the Snowcat.
Doing so, we see Snoopy's little yellow bird friend, Woodstock, using the helium balloon to fly away from the tub in the direction of the window. The novel concerns the collapsing mental health of a teenage boy who has problems with "applying himself" and has recently been kicked out of his prep school. White shelves holding books hang on the rear wall. No one is quite sure whether Kubrick typed 500 pages of All work and no play makes Jack a dull boy. Kubrick didnt go to the prop department with this task, using his own typewriter to make the pages. It is closed for the winter., Roger Ebert deemed the cut a good decision. When Jack axes Dick, he emerges from concealment behind one of the columns, blended with it. NtRK and her many potentials are waiting GOT ART AND PHOTOGRAPHY
Fig. As Danny then turns a left corner the musical drum of surprise kicks in a second before the ghost girls have appeared on screen. 496 votes, 38 comments. Written by Polly Barbour Genre Horror Setting and Context A mat the color of dark grass wraps about the base of the toilet. The gematria for the name in this short form is 26. The sound is abrupt and a little disconcerting. (sound).
A good guess is that he does see the elevator and the girls. On the screen we see a man departing, through the rye, and his lover telling him that before his return the rye will be harvested and her heart as empty as the field.
We assume Jack has made the trip up in the yellow VW but we didn't see him in it. Next, two young individuals in summery clothing pass by on their way outside, carrying tennis rackets and white balls, seemingly headed to play a game though we may notice the woman is inappropriately dressed in high heels. "His last big role had been in One Flew Over the Cuckoos Nest, and between that and the manic grin, the audience automatically identified him as a loony from the first scene. -Jack surveys the scale model of the hedge maze in the hotel lobby as his wife and son explore it. Instead they are in opposition to it, and, at best, sometimes enjoy its pleasanter, friendlier aspects.
55 MCU Danny. The newest furnishings would be the white dinette set and chairs. Thus, two parties are starting to be defined: on the one hand, Jack and obscure characters of the Special World, pertaining to the true adventure; on the other hand, Danny, Wendy and Hallorann. The autumnal photo in particular will seem to, as the movie progresses, give an eerie sense of the lodge's mountain being watched from afar. THE DOCTOR (sympathetic): OK, that's fine. STUART: in this job hired a man named Charles Grady as the winter caretaker. Is the desirable state one of equilibrium, such as had at the equinoxes? In the lobby of the Overlook, as the film opens, a few people rest in armchairs reading, talking, but the lodge isn't exactly a buzzing hive of activity. The horror of Danny's vision past, we return to ambient sound, nothing mysterious. There is no door in that area through which he could have passed for the doors to the hall beyond are blocked by seating and if there did happen to be doors to an exterior patio (which there are not) he hasn't the time to exit them. STUART: Well, uh, my predecessor
When the reader is introduced to Jack Torrance, they learn about his alcoholic past and the reasons why he decided to quit drinking. Sources differ on how long shooting itself lasted, but it probably went on for almost a year. One salt and pepper gray-haired man in a plaid jacket and two-toned spectator shoes is prominent, reading near the entrance, smoking what may be a cigar, a drink to his side next a camera. In more removed shots we see on the right of the desk a medium-size bush in a floor pot, that plant having two pokey branches ascending above the rest and being about the same height as the peculiar object on the left. A zigzag pattern also can represent lightning, and some believe that the labrys, upon which is based the labyrinth, may symbolize lightning. The title for this section is "The Interview" and we tend to think of this title as exclusively pertaining to Jack's interview at the Overlook, but now we also will have this doctor interviewing Wendy. Because of their near symmetry, and because the scenes are slightly off and not perfectly symmetrical, I thought it might be interesting to overlay the elevator hall with the hall of the girls and see how they relate. The Tetragrammaton is the 4 lettered name of God which is forbidden to be spoken for fear of blasphemy, which amounts to a an imposition of silence. Whatever, we have in the bathroom's mirror the film's first instance of second sight, of oracle, access to knowledge not normally held, and Kubrick appropriately annotates it with music concerning an awakening from a dream. 15 - The crossfade from Ullman's office to the apartment complex in Boulder. Kubrick would have appreciated the presence of a Mirror Lake at Mount Hood considering his interest in doublings. Mr. Ullman (Barry Nelson) welcomes Jack pleasantly, rising and shaking his hand. We don't see the waiter. 48:36 - When Wendy calls the forest rangers about the downed lines. WENDY: Tony is his imaginary friend. The Shining study guide contains a biography of Stanley Kubrick, literature essays, quiz questions, major themes, characters, and a full summary and analysis. 9 - Jack crosses the spot where he will later kill Dick, leaping out from behind the pillar on the right. The "sha" is usually briefly preceded with other ambient noises that give a texture of background activity and low background conversation so it seems a part of the natural ambiance.
My thought on it is that it may refer to the green and blue object held by the Great Mother in Morrisseau's painting in the secretarial office at the Overlook, connecting Wendy with the painting, she attired in the reds and blues of the painting, and, as I mentioned earlier, her hair styled like the Great Mother, who seems to me to not only be a nurturing presence in Morrisseau's painting, but to have in her also the violence of life. So there are some shots where Ullman's white pen is pointed toward him and there's a cigarette in the tray; some shots where the pen is pointed away from Ullman and there is no cigarette; some shots where the pen is pointed away from Ullman and there is a cigarette. JACK: Well, that sounds fine to me. There is perhaps a duck, maybe another. A word for mental vision is MRH (mareh), sometimes translated as mirror, and is also sometimes MRA. . Stephen King's use of character development throughout this novel is what makes the book so thrilling and moving. It is still open each year from May 20th to September 20th. Jack Torrance (Jack Nicholson) enters, his gray suit appearing cheap, limp and out of place with the resort attire of the others. Foreshadowing in THE SHINING - film analysis - YouTube He's dressed in a winter sweater rather than the lighter weight raglan. In fact, nothing makes sense.. Peter Pan's habitat was Neverland, and the two girls in blue will first appear to Danny here, who will later beckon him to come play with them forever, and ever, and ever, just as Jack will say he wishes they could stay at the Overlook forever, and ever, and ever. Or he is using the Carson City film to comment on those east/west tunnels and the divide between them, which is drilled through in Carson City. The above 2013 Creative Commons image, by the photographer J. W. Kern, shows how much Kubrick took architecturally and design-wise from the Ahwahnee. The silver service he was carrying isn't on the table between the man and the blond woman, nor do we see it with the two older women. (8:04)
STUART: The winters can be fantastically cruel and the basic idea is to cope with the very costly damage and depreciation which can occur, and this consists mainly of running the boiler, heating different parts of the hotel (Sha sound at 7:08) on a daily rotating basis, repairing damage as it occurs, and doing repairs
This is the case for many of the windows in the filmthey dont work in context. Stuart introduces his secretary, Susie (Alison Coleridge). Foreshadowing holds the reader's interest because they try to use these clues to figure out what happens next. Boundaries decimated, made meaningless, the office can itself seem to begin to disappear, melting away as greenery invades. The idea of the past meshing with the present certainly fits well with "shining". We'd no idea during the bathroom scene that he had brushed his teeth, at that point he was playing with a toy in the sink. Just thought I'd draw this up as I always want to think of the hall to the bedrooms as running parallel the wall of the kitchen with the plumbing fixtures though it's not. Again, this is a room that was standard for its time and fitting in with the simple construction seen in apartment complexes that haven't any architectural frills.